Rock 94 1/2 & Knitting Factory Presents

Reel Big Fish and Anti-Flag

Event Info:

Knitting Factory Concert House - Spokane
Spokane , WA
Friday Feb 10, 2017
Show: 7:30 PM
Doors: 6:30 PM
All Ages
$23.00

Additional Info:

All Ages
Reel Big Fish
(Alternative Rock)
Reel Big Fish were one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-'90s success of No Doubt and Sublime. Like most of their peers, they were distinguished by their hyperkinetic stage shows, juvenile humor, ironic covers of new wave pop songs, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997, when the single "Sell Out" became a modern rock radio and MTV favorite. Reel Big Fish's popularity gradually waned in the subsequent years, following the decline of ska-punk as a marketable genre. Nevertheless, the band restructured its lineup and continued issuing new material to a smaller (yet considerably ...
Reel Big Fish were one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-'90s success of No Doubt and Sublime. Like most of their peers, they were distinguished by their hyperkinetic stage shows, juvenile humor, ironic covers of new wave pop songs, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997, when the single "Sell Out" became a modern rock radio and MTV favorite. Reel Big Fish's popularity gradually waned in the subsequent years, following the decline of ska-punk as a marketable genre. Nevertheless, the band restructured its lineup and continued issuing new material to a smaller (yet considerably ...
Reel Big Fish were one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-'90s success of No Doubt and Sublime. Like most of their peers, they were distinguished by their hyperkinetic stage shows, juvenile humor, ironic covers of new wave pop songs, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997, when the single "Sell Out" became a modern rock radio and MTV favorite. Reel Big Fish's popularity gradually waned in the subsequent years, following the decline of ska-punk as a marketable genre. Nevertheless, the band restructured its lineup and continued issuing new material to a smaller (yet considerably rabid) fan base.   Based in Huntington Beach, California, Reel Big Fish were originally a trio comprised of vocalist/guitarist Aaron Barrett, bassist Matt Wong, and drummer Andrew Gonzales. At that stage, the group was a conventional rock band with pop-metal leanings that covered both classic rock and Top 40 songs -- essentially, it was music designed for frat parties. After several months, the band discovered ska and decided to bolster its lineup with the addition of horn players. Reel Big Fish had a difficult time maintaining a stable horn section, and it took several years before their final lineup -- featuring Tavis Werts (trumpet), Scott Klopfenstein (trumpet, vocals), Grant Barry (trombone), and Dan Regan (trombone) -- fell into place.   Everything Sucks This definitive incarnation of Reel Big Fish recorded its self-released debut album, Everything Sucks, in 1995. Everything Sucks became a word-of-mouth underground hit in ska-punk and college circles, which gave the band enough leverage to sign with the indie label Mojo Records. The label's president, Jay Rifkin, and former Oingo Boingo bassist John Avila co-produced Turn the Radio Off, which marked the band's first album for Mojo. Turn the Radio Off was unleashed in August 1996, and over the next year, Reel Big Fish continually toured in support of the album's release, expanding their fan base all the while. In spring 1997, the single "Sell Out" began receiving heavy airplay from several influential modern rock stations in the U.S., which soon translated into MTV support for the song's quirky video. By summer, the song had become a moderate modern rock hit, and the album had charted in the Top 100. In July 1997, Reel Big Fish released the Keep Your Receipt EP, which contained "Sell Out" and several outtakes, new songs, and live cuts. Why Do They Rock So Hard followed a year later, and in early 2000 the band returned with a reissued version of Everything Sucks.   Cheer Up! The guys wound up on Jive Records in fall 2001 when their current label, Mojo, was bought by Jive's parent label, Zomba. Reel Big Fish's first release for Jive, a rock-oriented record entitled Cheer Up!, appeared in mid-2002. Years of touring followed, during which the band shared stages with the likes of Sum 41, Catch 22, Lucky Boys Confusion, the Matches, and Zebrahead. Replacement drummer Carlos de la Garza (formerly of Suburban Rhythm) eventually decided to leave the lineup, and his last show with the group was recorded live at Anaheim's House of Blues in June 2003. A DVD of that performance, The Show Must Go Off!, was released by the end of the year, and the band's next album, the cynical yet catchy We're Not Happy 'Til You're Not Happy, was issued in April 2005. By this time, the group's lineup had shifted to include Barrett, Regan, Klopfenstein, Wong, new trumpeter John Christianson, and drummer Justin Ferreira (who was later replaced by Ryland Steen).   Our Live Album Is Better Than Your Live Album Touring continued for the rest of the year, and Reel Big Fish happily parted ways with Jive in January 2006, having wished to be dropped from the label since Cheer Up!'s release. A co-headlining tour with MxPx followed that summer, allowing Reel Big Fish the chance to gain their footing as an independent band. In August, the group self-released a double-disc live CD (along with an accompanying DVD) titled Our Live Album Is Better Than Your Live Album. A few months later -- and much to the annoyance of the band -- Jive issued its own Reel Big Fish album, a best-of compilation entitled Greatest Hit...and More. Reel Big Fish received no money from the album's sales, as Jive Records now owned the rights to the bulk of their songs.   Duet All Night Long Nevertheless, Reel Big Fish returned with some new material in February 2007, splitting an EP (Duet All Night Long) with their friends in Zolof the Rock & Roll Destroyer. Monkeys for Nothin' and the Chimps for Free followed several months later, marking the group's first full-length studio release since leaving Jive's roster, and 2009's Fame, Fortune and Fornication found the band covering songs by the likes of Poison, Slade, and Tom Petty. In 2011, longtime member Scott Klopfenstein left Reel Big Fish to focus on raising a family, with Goldfinger's Matt Appleton taking over for him. The following year, the band released its first album of new material in five years, Candy Coated Fury.

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Anti-Flag
(Alternative Rock)
Great rock n' roll doesn't have to be mindless and socially conscious tunes don't have to be dull. When art and entertainment devolve into mere commercial escapism, the status quo of an oppressive system and the empty banality of mediocre music will prevail. ANTI-FLAG burst through the concrete wall of apathy like a proverbial desert flower. American Spring is an empowering, energetic antidote to the crippling cynicism that infects even the most dedicated of rabble-rousers. Co-produced by AWOLNATION’s Kenny Carkeet, Jim Kaufman and the band, Anti-Flag’s tenth studio album is both a shot across the bow of the political discourse and creatively challenging. American Spring is a stylistic leap forward that captures the ...
Great rock n' roll doesn't have to be mindless and socially conscious tunes don't have to be dull. When art and entertainment devolve into mere commercial escapism, the status quo of an oppressive system and the empty banality of mediocre music will prevail. ANTI-FLAG burst through the concrete wall of apathy like a proverbial desert flower. American Spring is an empowering, energetic antidote to the crippling cynicism that infects even the most dedicated of rabble-rousers. Co-produced by AWOLNATION’s Kenny Carkeet, Jim Kaufman and the band, Anti-Flag’s tenth studio album is both a shot across the bow of the political discourse and creatively challenging. American Spring is a stylistic leap forward that captures the ...
Great rock n' roll doesn't have to be mindless and socially conscious tunes don't have to be dull. When art and entertainment devolve into mere commercial escapism, the status quo of an oppressive system and the empty banality of mediocre music will prevail. ANTI-FLAG burst through the concrete wall of apathy like a proverbial desert flower. American Spring is an empowering, energetic antidote to the crippling cynicism that infects even the most dedicated of rabble-rousers. Co-produced by AWOLNATION’s Kenny Carkeet, Jim Kaufman and the band, Anti-Flag’s tenth studio album is both a shot across the bow of the political discourse and creatively challenging. American Spring is a stylistic leap forward that captures the essence of their dense catalog while conjuring a fresh new sound. Anti-Flag's commitment to high caliber neo-punk music remains as strong as their devotion to raising awareness. "I hope this record can be an encouragement to people to never give up,” declares Justin Sane, guitarist/vocalist and cofounder of Anti-Flag. “I know that music changed my life.” American Spring is the next natural step in a career that produced activist-punk classics like For Blood and Empire (2006), The Terror State (2003), and Underground Network (2001), and inspired international audiences to learn more about the Occupy movement, the anti-war movement, and the idea that “socialism” isn’t a dirty word. Drawing inspiration equally from political thinkers like Howard Zinn and Cornel West as from The Clash and The Dead Kennedys, Anti-Flag got going in earnest in 1993, a year before massive records by Green Day, The Offspring and Rancid pushed punk back into the spotlight. Anti-Flag hail from Pittsburgh, site of the Homestead Steel Strike in 1892 (one of the most serious labor disputes in history), Hill District riots in the wake of Martin Luther King’s assassination, in a state that helped birth abolitionism. Anti-Flag attacks the issues head on. Anti-poverty and social justice coalition Oxfam projects the world’s wealthiest 1% will own more than 50% of the world’s wealth by 2016, a fact tackled in “The Great Divide.” “There’s a class war going on. The rich are waging it on the poor and they’re winning in a staggering wave of crushing defeats, over and over again,” says Sane. “Most wealth is concentrated in about 200 corporations, which are owned and run by a really small group of people. We're living in occupied territory. When the Germans in World War II occupied the French they had a resistance. It’s up to all of us living in corporate occupied territory to be the resistance.” As detailed by the essays in the American Spring liner notes, Anti-Flag’s lyrics are as socio-politically minded as ever, but through the lens of deeply personal experience. Drummer/cofounder Pat Thetic’s uniquely identifiable rhythms and the dual vocals of Sane and bassist/vocalist Chris #2 ensure each song retains the sound Anti-Flag has established, even as Sane and longtime guitarist Chris Head unleash their heaviest riffs. “Sky is Falling” is one of the darkest Anti-Flag songs ever recorded, capturing the oppressive feeling of its subject matter, drone strikes. “All of the Poison, All of the Pain” lashes out against nihilism, offering empathy to artists who’ve lost themselves to hopelessness across the generations, but urgently insisting to keep up the fight. “The Debate is Over” owes a debt to Naomi Klein’s This Changes Everything: Capitalism vs. The Climate. There’s no more arguing to do about climate change. It’s real. It’s here. Chris #2 ended a relationship that consumed a huge portion of his life during the writing for American Spring. When he watched the events in Ferguson, Missouri unfold on television, he immediately felt the same rage he had hearing a not guilty verdict after a year and a half of court hearings surrounding the murder of his own sister. On American Spring, he’s connected his personal life to the bigger political picture like never before. “I felt torn up, vulnerable, and unsure of my identity. I'd never had that experience before. So whenever I started looking at the politics of the world, I couldn't help but connect each thing that was happening to something that had happened in my life.” Punk icon Tim Armstrong (Operation Ivy, Rancid, The Transplants) guests on “Brandenburg Gate,” a song Chris #2 envisioned as akin to Billy Bragg’s “Socialism of the Heart” meets The Clash. “I’ve wanted to write a song with that sort of groove ever since I’ve known I can write songs.” “Without End” confronts the false doctrine of perpetual war, dismantling the idea that a military “victory” can be had over concepts like “terror,” topped off with a blistering solo from Tom Morello of Rage Against The Machine. The entire band shares a strong point of view when it comes to compromise, to surrender, to giving up on the promise of a better world. Chris #2 flies the flag for optimism in the face of cynicism in songs like “To Hell with Boredom” and “Believer,” which declares: “Don’t give up / don’t give in / there’s no peace in the end / the war worth raging is right here.” Sane rails against apathy on “Low Expectations.” “We’re coming up on a Presidential election where the choice could be between Hilary Clinton and Jeb Bush. So I get why people feel frustrated,” says Sane, pointing specifically at the “corporatocracy” described by former CIA operative John Perkins in Confessions of an Economic Hitman. “We can count on whomever gets elected to placate the banks, Wall Street, oil interests, and the military industrial complex.” Unthinkable income inequality, militarized police, neo-colonialism, corporate oligarchy, apocalyptic environmental destruction, loss of privacy and individual liberty, crackdowns on whistleblowers, perpetual wars on the tightening grip of mainstream media, the prison industrial complex, fascism and extremism of all stripes– there’s plenty to feel defeated about today. But as “Believer” proclaims, that means justice is up to “Just Us.” “Change happens one person at a time. It takes time. But it's important for those ideas to be out there,” Sane insists. “It's impossible to connect with every single person. When you're putting an idea out there, you're just hoping it will resonate with enough people that it has some kind of ability to affect their lives. But change does happen in incremental steps. The first part of being involved is being aware. Then beyond that, there are steps we can all take to become a more active part of progressive resistance.” Yes, thankfully there remain those whose resilience is assured, who fight harder against adversity and difficult odds. They are the proud torchbearers for progressive collectivism, radical change, and a free expression with heavy social responsibility. They are the artists with the talent to create works worthy of their message. Bessie Smith, Woody Guthrie, MC5, Bad Religion, Boogie Down Productions, The Clash – and after more than two decades, Anti-Flag carries the tradition forward, injecting the underground and the mainstream with politically charged, deliberate, smart-but-no-lessvisceral neo-punk. www.spinefarmrecords.com

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Ballyhoo!
(Reggae-Pop)
A rock band with punk energy and pop reggae grooves, Baltimore’s BALLYHOO! are a fun, fan-loving powerhouse. These road dogs have tirelessly toured coast-to-coast taking their music to the people. Between the road and the studio, BALLYHOO! have crafted a sound distinctly their own; fresh, fun, and embodied by the soul of the party lifestyle. Lead singer and guitarist, Howi Spangler, has a reputation for mixing slick lyrics with his smooth but powerful voice. Drummer Donald Spangler lays out the hard-hitting beats. Scott Vandrey layers in the finishing touches to the band’s signature sound on keys. The guys recently welcomed Nick Lucera as their new bass player. ...
A rock band with punk energy and pop reggae grooves, Baltimore’s BALLYHOO! are a fun, fan-loving powerhouse. These road dogs have tirelessly toured coast-to-coast taking their music to the people. Between the road and the studio, BALLYHOO! have crafted a sound distinctly their own; fresh, fun, and embodied by the soul of the party lifestyle. Lead singer and guitarist, Howi Spangler, has a reputation for mixing slick lyrics with his smooth but powerful voice. Drummer Donald Spangler lays out the hard-hitting beats. Scott Vandrey layers in the finishing touches to the band’s signature sound on keys. The guys recently welcomed Nick Lucera as their new bass player. ...
A rock band with punk energy and pop reggae grooves, Baltimore’s BALLYHOO! are a fun, fan-loving powerhouse. These road dogs have tirelessly toured coast-to-coast taking their music to the people. Between the road and the studio, BALLYHOO! have crafted a sound distinctly their own; fresh, fun, and embodied by the soul of the party lifestyle. Lead singer and guitarist, Howi Spangler, has a reputation for mixing slick lyrics with his smooth but powerful voice. Drummer Donald Spangler lays out the hard-hitting beats. Scott Vandrey layers in the finishing touches to the band’s signature sound on keys. The guys recently welcomed Nick Lucera as their new bass player. BALLYHOO! released their 5th studio album Pineapple Grenade on June 25th 2013. It broke through the Billboard Top 200 at #189 as well as reaching #4 Billboard Heatseekers and #5 at iTunes Alternative charts.  The album features “No Good,” produced by Rome Ramirez (Sublime with Rome) and mixed by Paul Leary (U2, Sublime); while the first single “Run” saw an early radio add from KRAB Bakersfield and early radio spins by KROQ Los Angeles, WHFS Baltimore, KTCL Denver, and KCXX Riverside among others. Alongside the album release, BALLYHOO! co-headlined the 2013 Summer Sickness Tour with Authority Zero and special guests Versus The World. Pineapple Grenade is the band’s follow-up to the 2011 LAW Records release of “Daydreams,” which debuted at #1 on the iTunes Reggae Charts and #4 on Amazon.  BALLYHOO!’s unique yet melodic blend of genres, along with their hardcore devotion to the road and their fans have pitched them into snowballing success. The band has performed with a myriad of national touring acts; 311, Slightly Stoopid, SOJA, The Dirty Heads, Matisyahu, and more. Tour highlights include the 2011 311 Pow Wow Festival, the 2012 and 2013 311 Caribbean Cruise, Bamboozle 2012, 2012 Charm City Music Festival, 2013 Cali Roots Festival & the entire 2012 Vans Warped Tour. In 2011, after concluding the Last Calls and Liabilities tour with respected contemporaries, Pepper, they were honored with being included on the ever-popular Hollister Holiday Playlist. They were listed on MTV’s Top 100 Bands to Watch and even featured 2 downloadable songs on the popular video game ROCK BAND.

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Pkew Pkew Pkew
(Punk)
PKEW PKEW PKEW are four guys from stupid-small towns in Southern Ontario who have travelled around playing shows in even more stupid-small towns and then some big cities too. Their forthcoming self-titled debut record (due out Spring 2016 via Royal Mountain Records) is a raucous 21 minutes of punky frat boy party anthems that are made for the mosh-pit. Recorded by Jon Drew (Fucked Up, Tokyo Police Club), Ryan Mall (Gaslight Anthem, The Bouncing Souls) and mastered by Dave Gardner (The Hold Steady, Dillinger Four), Pkew Pkew Pkew is a dizzying eleven song anthology that blasts through themes of failure, nostalgia, growing up, staying young and getting really, really, really drunk. ...
PKEW PKEW PKEW are four guys from stupid-small towns in Southern Ontario who have travelled around playing shows in even more stupid-small towns and then some big cities too. Their forthcoming self-titled debut record (due out Spring 2016 via Royal Mountain Records) is a raucous 21 minutes of punky frat boy party anthems that are made for the mosh-pit. Recorded by Jon Drew (Fucked Up, Tokyo Police Club), Ryan Mall (Gaslight Anthem, The Bouncing Souls) and mastered by Dave Gardner (The Hold Steady, Dillinger Four), Pkew Pkew Pkew is a dizzying eleven song anthology that blasts through themes of failure, nostalgia, growing up, staying young and getting really, really, really drunk. ...
PKEW PKEW PKEW are four guys from stupid-small towns in Southern Ontario who have travelled around playing shows in even more stupid-small towns and then some big cities too. Their forthcoming self-titled debut record (due out Spring 2016 via Royal Mountain Records) is a raucous 21 minutes of punky frat boy party anthems that are made for the mosh-pit. Recorded by Jon Drew (Fucked Up, Tokyo Police Club), Ryan Mall (Gaslight Anthem, The Bouncing Souls) and mastered by Dave Gardner (The Hold Steady, Dillinger Four), Pkew Pkew Pkew is a dizzying eleven song anthology that blasts through themes of failure, nostalgia, growing up, staying young and getting really, really, really drunk. The four-piece have crushed beers and shared stages with a lot of cool bands including Diarrhea Planet, FIDLAR, The Hold Steady, Pup, and Titus Andronicus.

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