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KNITTING FACTORY ENTERTAINMENT

August Burns Red: 10 Years of Constellations Tour

Events

Jul 12 Fri
August Burns Red: 10 Years of Constellations Tour7:00 PM | Doors: 6:00 PM
919 W. Sprague Avenue, Spokane, WA
All Ages

August Burns Red

The most rewarding challenges come from within.
By personally aiming beyond your perceived potential, you can truly grow. That’s been the case every time August Burns Red record an album, and it’s quietly turned the Pennsylvania quintet—John “JB” Brubaker [lead guitar], Brent Rambler [rhythm guitar], Matt Greiner [drums], Jake Luhrs [lead vocals], and Dustin Davidson [bass]—into a GRAMMY® Award-nominated heavy music torchbearer. Their journey began back in 2003 with marathon jam sessions on a farm belonging to Greiner’s family in the egg refrigerator. Embracing a diehard Rust Belt work ethic, they tirelessly pushed towards the top of heavy music with a series of critically acclaimed albums and countless gigs. A hard-earned high watermark, 2015’s Found In Far Away Places marked their second consecutive Top 10 debut on the Billboard Top 200. The single “Identity” notched a GRAMMY® Award nod in the category of “Best Metal Performance.” A streaming juggernaut, both “Identity” and “Ghosts” [feat. Jeremy McKinnon] crossed the 3-million mark on Spotify.
When it came time to record their eighth full-length Phantom Anthem [Fearless Records] with longtime producers Carson Slovak and Grant McFarland, the game didn’t change. The musicians put their heads down and rallied around the same shared goal.
“The goal has always been to just write the best songs that we can write and put out the best album possible,” exclaims JB. “You want to keep raising the bar on yourself. It’s the start of something new.”
It shows… Uncorking a barrage of infectious intensity, the boys augmented and amplified the touchstones of their signature style on Phantom Anthem. The musical equivalent of a clenched fist haymaker, the grooves hit harder, the hooks blaze brighter, and the instrumentation ignites even more intricacy.
“It’s the most technical thing we’ve ever done,” adds JB. “There’s some pretty ridiculous shred stuff going on, which is awesome. Things just came out more heavy and tight.”
After two months, they emerged with the 11 tracks comprising Phantom Anthem. A subtle string pluck announces the arrival of the first single “Invisible Enemy.” In a blink, polyrhythmic pummeling and entrancing fret fireworks spiral headfirst towards an onslaught of screams, chugging bridge, searing solo, and arena-size chant, “Pain is surrounding, surrounding us.”
The follow-up single “The Frost” whisks from icy clean strumming and tambourine into a blizzard of blistering screams and metallic majesty. Spearheaded by the thrash waltz of “King of Sorrow,” unpredictability drives the overall flow. “Coordinates” climaxes on a hauntingly gorgeous chorus as “Lifeline” and “Carbon Copy”—both penned by Davidson—up the visceral and vibrant virtuosity that August Burns Red remains synonymous with. The album title hints at the band’s pronounced evolution.
JB recalls, “Phantom Anthem is a song or a sound that creates deep roots in the heart of a person, resonating through every bone in that person’s body and naturally giving he or she purpose and value. It’s often something silent—a quiet song that isn’t noticed and is often overlooked.”
Brent goes on, “Many of the songs discuss being the one who grabs the reins, plants the seeds, makes them grow, and takes control. You may not see that thought or idea, but it brings value to the world.”
Ultimately, August Burns Red push themselves harder than ever on Phantom Anthem, destroy expectations, and reach a new level by simply being who they are.
“We never thought we’d get here,” echoes Brent. “We’re eight albums in. It seems like it’s bigger and better than ever. It’s everything to us. That won’t ever change.” — Rick Florino, July 2017

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Silent Planet

All creativity is a dialogue. Every song, painting, innovation, poem - is just the latest statement in a conversation that is as old as human civilization. And Silent Planet is intends to add to this dialogue. Weaving together topics that range from historical injustice to the existential despair of modern life, Silent Planet has a message that burns with a hardcore indignation, while coupled with progressive instrumentation. In the band’s latest effort, When the End Began, frontman and lyricist, Garrett Russell, explores the obscure and mystical Nietzschean concept of “Eternal Return” as it relates to the human experience. Haunted by recurring dreams of war, famine, and dead planets - further exacerbated by health complications and surgery, Russell was drawn to explore the concept of apocalypse in this latest batch of stories. When the End Began delves into instances of global and personal crisis - watershed moments between and within humanity - and aims to draw connection between the two. According to Russell “Apocalypse signals an ending, sure, but also the birth of a new epoch. The challenge of hope calls us to find direction in the midst of chaos - to find purpose not away from pain, but within it.” Since the their inception in 2009, Silent Planet has never looked for handouts. Initially the band slowly gained traction playing local venues throughout California, subsequently expanding to DIY touring throughout the States. The band first gained prominence due to their vast array of intellectual influences, anchored by Russell’s masters degree in psychology and field experience as a mental health therapist. However, it is their remarkably intimate connection with their listeners (who they often refer to as “Lovers”, eschewing the term “fans”) that has become their trademark in the music scene. Perhaps no single event better speaks to their grassroots base than their surprise, underdog victory of “Underground Band of the Year” at the 2017 APMA awards. Emphasizing integrity, the band has gone to extreme measures to ensure creative control to keep their DIY ethos intact. With this third full-length release, the band looks to establish themselves not as a mainstay in the genre, but as sonic trend-setters. Primary song architect and guitarist, Mitchell Stark, pushes the band into increasingly aggressive territory in this new release, accented by the distinguishably refined and progressive drumming of Alexrene Camarena. Further, the album showcases a wide vocal array, thanks to the dynamic singing range of bassist, Thomas Freckleton, who vacillates between anthemic choruses and contemplative verses throughout the record. In a genre fraught with cliche, Silent Planet managed their most deliberate, cohesive effort to date. When The End Began is further complimented by the talents of producer Will Putney, who in his second effort has managed to capture the band’s aggressive live sound mix while retaining their more exploratory ambient elements. Additionally, Silent Planet opens a new chapter on the global front, signing an international license deal with Australia-based label UNFD, while renewing their deal with Seattle-based Solid State Records, who has released the bands first two studio LP’s since the original signing in 2014. When asked about what the future holds for Silent Planet, they are refreshingly simple: “We want to connect and grow. These songs are our way of giving back to so many of those who have given to us. On tour we’ve met people isolated by bigotry, marred by addiction, scarred by loss - these songs are for them and anyone else grappling with these situations. Hope doesn’t have to be an abstract concept. It can be an embodied reality.” Perhaps the band’s message is best summed up in their own words: “Trade your certainty for awe.”
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