Knitting Factory Presents
Black Veil Brides & Asking Alexandria
Every order of online tickets comes with one (1) CD of Black Veil Brides’ or Asking Alexandria’s forthcoming album. You will receive an additional email with instructions on how to redeem your album. US/Canadian residents only.
Art relies on a delicate balance between dark and light. In order to reach heaven, you have to go through hell. In order to enjoy bliss, you have to endure devastation. In order to rise, you have to fall. In order to be a leader, you have to be a little wild.
Black Veil Brides confidently take the lead with their third full-length album, Wretched and Divine [LAVA Records/Republic Records]. Boasting a compelling concept, the record sees the Los Angeles quintet—Andy Biersack [Vocals], Ashley Purdy [Bass], Jinxx [Guitar], Jake Pitts [Guitar], and Christian Coma [Drums]—deliver a collection of songs that's as immersive as it is infectious. Hallmarks of their sound like gritty riffs, orchestral flourishes, elegant soloing, and anthemic vocals remain intact. At the same time, everything expands gracefully into the fabric of an intricate post-apocalyptic drama about The Wild Ones penned by Biersack and artistic collaborator Richard Villa III. Ultimately, Wretched and Divine opens the gateway to a new world altogether.
Think you can handle it?
Coming off the road in support of 2011's Set the World on Fire, Black Veil Brides made a collective and conscious decision to break ground when they entered the studio. They couldn't just make "another album"; they needed to make a statement this time around. After a few sessions, they found the perfect man to help them realize this vision in producer John Feldmann [The Used, Neon Trees, Panic! At The Disco].
"I was going through a bit of darkness artistically," admits Biersack. "We couldn't just take a logical step from Set the World on Fire, and I knew that. We had to make a giant leap. I wanted to find a fresh way of expressing what our band was both lyrically and creatively. I met John, and we simply clicked. We brought him on board immediately. He was able to take our ideas and mold them into something really incredible. It was cool to be with him every day in that creative mindset. We've never had a producer there for the entire process. He pushed us to reach the next level."
In between recording, the band hit the road for a string of dates, and Biersack began envisioning a much larger concept story for the album, writing it on buses and planes. As a result, the songs weave together to tell the tale of a dystopian future where a unified church government is devouring society through taking away science and creativity. This despotic regime drugs the youth into becoming drones, but refugees named The Wild Ones—the band's fictional alter ego—inspires the kids to be themselves and revolt.
"In essence, it's the origin story of the band and the BVB Army," he reveals. "At the same time, it's not a musical. You can listen to any track as a standalone Black Veil Brides song. If you choose to go on the ride, there's a story. It's the soundtrack to our lives and lives of The Wild Ones. It's got elements of everything we've done, but it's different. It's high-concept, but it's also personal."
Speaking of personal, the first single "In the End" possesses a twofold meaning for the frontman. Seguing from a chant of children to a staggering riff and dreamy keyboards, the track exudes divine implications as it relays a universal story.
"About a week before 'In the End' was written, my grandfather died," says Biersack. "I was thinking about the funeral. I said the eulogy in front of my entire family. When we got back to my grandfather's house afterwards, I had this intense realization. We may do good or bad, but we only really exist in the minds, eyes, and hearts of the people we affect throughout life. If you affect them positively, your memory lives inside of them, and that's the way you move on. After I finished writing, my mother sent me something my grandfather wrote to my great-grandfather before he passed. Almost line for line, it spoke about not being afraid to die and even used the words 'In the End'. It was heavy. In the story, The Wild Ones are fighting this enemy. Throughout, they realize you can never truly escape fears or defeat darkness. However, if you can die without fear knowing you've done good, you've won."
Other voices populate the world of Wretched and Divine as well. Aiden and William Control singer Will Francis gives the ominous four-part "F.E.A.R. Transmission" narration, tying together the action from the Orwellian villain's point of view. The Used frontman Bert McCracken adds a dark vulnerability to the explosive thrasher "Days Are Numbered".
Fans have definitely felt everything that Black Veil Brides have done up to this point. In 2010, they laid the groundwork for their legion of supporters to be born with We Stitch These Wounds. The album debuted in Top 40 of the Billboard Top 200 and No. 1 on the Independent Chart, leading to their signing with LAVA.
In support of the record, they headlined the coveted Alternative Press Tour and were crowned "Best New Artist" at Revolver's Golden Gods Awards and "Best Newcomers" at the Kerrang! Awards. In addition to appearing on the Vans Warped Tour, they scorched the stage at Download Festival, Bamboozle, and Rock am Ring. Meanwhile a year later, Set the World on Fire debuted at Number 17 on the Billboard Top 200, and the band hit the road with Avenged Sevenfold and Hollywood Undead. Transformers: Dark of the Moon and The Avengers both included the band on their soundtracks, and their pop culture infiltration continued. Along the way, they amassed one of the most rabid fan bases in modern music, affectionately dubbed BVB Army.
Everything has simply led up to Wretched and Divine though. "This is the album we always wanted to make," concludes Biersack. "I hope our fans can be inspired to create and make their own art from hearing this. I want this to give them freedom."
Spoken like a true Wild One.
Life is all about how quickly you get back up. In January 2015, everything changed for Asking Alexandria. The chart-topping, gold-selling UK hard rock outfit parted ways with singer and founding member Danny Worsnop. On the outside, the future mightve seemed uncertain—even grim—to some, but Ben Bruce [lead guitar, vocals], James Cassells [drums], Cameron Liddell [rhythm guitar], and Sam Bettley [bass] dusted themselves off, lifted their chins, and got right back up.
We hadnt reached our destination yet, and Danny had, admits Bruce. I think it was necessary. When it happened, I was devastated. I lost my best friend. We even started referring to this part of our career as The Black period. It was the darkest time, but we werent going to give up. If he hadnt left, I dont think we wouldve been as inspired as we were. I also dont think Asking Alexandria would still be around. Instead, were more excited than ever about this band.Bruce locked himself in his New Jersey home and immediately began writing ideas for what would become the groups fourth full-length album, The Black [Sumerian Records]. He studied their earlymaterial, focusing on capturing that initial magic and rekindling their groove-driven and electronic-laden metallic swing. In order to properly do that, the band actually turned to a fan. Ukrainian singer Denis Stoff gained notoriety posting Asking Alexandria covers on YouTube and consequentially inked a deal with Sumerian Records in his band Make Me Famous. Bruce shot him an email one night. The next day, a new Asking Alexandria song had vocals. When I first saw him on YouTube, I thought he sounded just like Danny, and it was so weird, recalls Bruce. So, I reached out. As soon as he sent me the first demo, it didnt feel like there was a new guy. Hes Asking Alexandrias singer. Its like it was always meant to be. He gave us a new lease on life.Denis made his live debut in front of 30,000 people when Asking Alexandria headlined the Czech Republics Rock for People Festival. In between sold out shows around the globe, they ventured back and forth to the Michigan studio of longtime producer Joey Sturgis in order to cut The Black. The sessions came together rapidly. Not only was it easier, but it was a lot more enjoyable, continues Bruce. Were all on the same page. There was this creative freedom with no limitations and restrictions. It felt like Reckless & Relentless on steroids.
The albums first single and title track, The Black, evinced that sentiment. With a sidewinder guitar riff, industrial-style slam, and hypnotically haunting refrain, the song sees the group evolve their patented sound with a more potent punch. I think everyone goes through this at some point or another, he sighs. Theres a time in your life where you feel like youre really trying to clutch onto anything, but nothings there for you to clutch onto. You feel completely hopeless and lost, but you get through it. The song is a reminder to keep on fighting and searching for the light at the end of the tunnel.Let It Sleep stands out as the quintets heaviest salvo ever. Exploding on impact, the track builds into a guttural chant thats immediately irresistible and impenetrable. You battle with voices inside your head, says Bruce. Everyone has those two sides. Youre torn between two different ideologies, trying to figure out which path to go down. It was appropriate to go so heavy.Meanwhile, Send Me Home sees the musicians flex their melodic muscle with a magnificent melody, highlighting Stoffs vocal prowess and range. That was the first thing he sang over, and it was when I knew it was going to work, smiles Bruce. Lyrically, it discusses being away on tour all the time and being far away from the people you love. Everyone thinks its a 24-hour party, but the reality is youre separated from everyone who cares about you.The Black reflects the apex of Asking Alexandrias singular style. However, that dynamic approach has defined them since day one. Its what made millions fall in love with them on 2009s Stand Up and Scream and turned The Final Episode (Lets Change the Channel) into an RIAA Gold-certified smash. The 2011 follow-up, Reckless & Relentless, would bow at #9 on the Billboard Top 200, while From Death to Destiny debuted at #5 in 2013. Along the way, theyve covered magazines such as Alternative Press, Guitar World, Revolver, Metal Hammer, Kerrang!, and more as well as touring alongside Guns N Roses, Avenged Sevenfold, Korn, Slipknot, and many others. Now, The Black represents a new beginning and the commencement of their biggest, boldest, and best chapter yet.
It’s been one hundred and fifty nine years to the date from The Fallout. The Raven and his tyrannical group of mercenaries, The Scarecrows, have begun assembling their army behind the walls of Aeon City, of the capital of the New Dawn. Just outside the wall, we have made camp in the surrounding woods. The cog and crown does not fly tonight for fear of being spotted…Tonight, we do not sleep. The faces around the camp are filled with fear, doubt, and hate. However, when I look beyond the firelight in their eyes, I see something more. They are not fearful of The Raven that roost in his nest; They are only fearful they won’t be there to watch his towers crumble. And they do not doubt why they aren’t sleeping tonight; They are only doubtful if the morning will bring them a worthy adversary. But above all else, they do not hate what their enemy has done; They only find hate within themselves for letting their world crumble before them. These are not the same misfits and outcasts found hiding in the shadows. I am not the same boy that I was when my mother was taken from me. We are no longer these things, because we are no longer defined by the past.
We Are The Runaways \\ The time has come \\ The time to take back what was ours \\ The time our fate is decided, and all of the falling stars and broken hearts left in the remains of a world forgotten, band together and stand for the future.
This is The Resistance. \\ This is The Rise of the Runaways.
And the time has come to let the fire rise