KNITTING FACTORY ENTERTAINMENT
Noah Kahan: I Was / I Am Tour
Masks are required for all shows per the State Mandate.
The critically acclaimed singer and songwriter simply took two years of milestones and transformed them into his upcoming second full-length album, I Was // I Am [Republic Records].
“While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself,” he says.
He gained that understanding through quite the journey from small town Vermont to global renown. He’s racked up over one billion streams, released his full-length debut album Busyhead, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen Colbert, Late Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP received widespread critical acclaim, and not to mention, he’s collaborated with everyone from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin. In the fall of 2020, he headed to Los Angeles in order to record with engineer Mark Rankin (in person) and his Busyhead collaborator and Grammy Award-winning producer Joel Little [Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid] (via Zoom from New Zealand). Together, they tracked the bulk of the record during this trip.
“We would start at 3pm PT, because Joel was just waking up in New Zealand, and I was at my most impatient,” laughs Noah. “It’s the worst time of the day for me, because I still have some residual drama from being in high school. However, it felt like Joel was in the room. He’s the greatest producer ever, in my opinion, and it was super fun to do this with him and Mark. Ironically, we made an album about changing, while staying in one place,” he grins.
Preserving his commitment to vivid lyricism, he kickstarted the music with faster tempos and sweeping hooks, recharging the overall vision.
“I wanted these songs to be emotional, but I also wanted them to be bigger,” he exclaims. “It’s upbeat shit with sad and contemplative lyrics. You can listen to the record as a story, but each one of these songs is a big old banger.”
His first single “Part of Me” perfectly encapsulates that sentiment. As handclaps and guitar ring out, the intimate verses drive towards a sweeping and soaring refrain as he tries to grasp a fleeting moment, “Got so close to love with you my dear, but I don’t miss you, I miss the way you made me feel.”
“I’ve met so many people briefly and often by chance either on the road or through friends, but I still think about them all of the time,” he says. “They left a lasting impact. That line, ‘I don’t miss you, I miss the way you made me feel,’ is important to me. It’s not about the person; it’s about the feeling of meeting someone who makes you consider this linear-head-down path you’re on isn’t right—or maybe they opened your eyes for just one second. You’ll think about that one second for years. I know I do.”
“Godlight” shines over glistening acoustic guitar as he admits, “I’m not the way I was,” in a fluttering high register. “I was on tour with a lighting director who said I needed more ‘Godlight’ on stage,” he recalls. “‘Godlight’ is the light that fixates on the singer, while the rest of the band is blackened down. In my life, I was chasing that. This ego was growing, and I saw it growing. I knew it was affecting my relationships. As a little kid if I saw myself giving so much of a shit about the attention on me instead of the music, I’d be really disappointed. The song is like I’m singing to my older self at a family reunion.”
Then, there’s “Animal” where his falsetto skates over head-bobbing handclaps and a slick beat. “Someone Like You” sways with Noah’s soulful vocals towards another chantable refrain. “It’s about immediate regret,” he goes on. “When you lose someone in a relationship, you don’t really understand that the person is gone. You’re never going to have exactly that again.”
For as much as he may have changed, Noah’s goal stays the same.
“I still want to be able to connect to folks in the way I do and value when I listen to music,” he leaves off. “Change is something you can learn from. It’s never too late to be a better person and to move forward. Always work on yourself and give yourself a fucking break every once in a while. I hope listeners feel like there’s more to learn about me, just like I do when I listen to my favorite artists. I also hope they’re happy to stay along for the ride, because I’ve been so grateful for them so far.”
As Noah Kahan changes, he casts those experiences onto songs like light through a film projector. At the core of the music’s upbeat energy and unfiltered lyrics, you’ll hear who he was before and who he became—almost in real-time. The Vermont singer still pens songs straight from the heart and still cracks jokes with his signature, self-deprecating sense of humor; he’s just changed in all of the right ways (and chronicled them via his songwriting). He gained that understanding through quite the journey from small town Vermont to global renown. He’s racked up over one billion streams, released his full-length debut album Busyhead, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen Colbert, Late Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP received widespread critical acclaim, and not to mention, he’s collaborated with everyone from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin. Now, the critically-acclaimed singer and songwriter took two years of milestones and transformed them into his second full-length album, I Was // I Am [Republic Records], introduced by the single “Part of Me.”
Hailing from Perth, Australia, Blake Rose has had a keen musical curiosity for as long as he can remember. One of the first instruments Rose ever picked up was the didgeridoo, a wind instrument created by indigenous Australians. However, the didgeridoo has its limitations and by the age of 12, Rose had started to teach himself to play guitar. However, it wasn’t until a 3-month long camping trip around Australia with his family that really developed Rose into the songwriter he is today. As they drove from campsite to campsite, teenage Rose started to write his own songs in the back of his family car. On the return home, Rose started to experiment with GarageBand and Pro Tools, falling in love with the idea of creating a song from start to finish.
After the trip, Rose was accepted into a school program called World Challenge which would take him to Sri Lanka for 2 weeks. The only issue was the expensive price tag attached. Still only a teenager, Rose was limited in job options and decided to give busking a shot. Taking to the streets of Perth, Rose quickly raised the money necessary and, perhaps more importantly, he discovered his love for live performance.
Rose’s music is electrifying. He is a rare voice hellbent on defining his own sound and his own path